Edouard Vuillard
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November 11, 1868-June 21, 1940. French painter.

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VELAZQUEZ, Diego Rodriguez de Silva y
Peasants at the Table (El Almuerzo) r

ID: 09444

VELAZQUEZ, Diego Rodriguez de Silva y Peasants at the Table (El Almuerzo) r
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VELAZQUEZ, Diego Rodriguez de Silva y Peasants at the Table (El Almuerzo) r


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VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.  Related Paintings of VELAZQUEZ, Diego Rodriguez de Silva y :. | Detail of Ilisabai | Venus | Detail of Prince | Mars, God of War wet | Portrait of man |
Related Artists:
Petere Lely
painted Julia Fasey, Lady Crewe in 17th century
Ambrosius Benson
(c.1495/1500, Ferrara or Milan - 1550, Flanders) was an Italian painter who became a part of the Northern Renaissance. While many surviving paintings have been attributed, there is very little known of him from records, and he tended not to sign his work. He is believed to be responsible for mainly religious art, but also painted portraits on commission. He sometime painted from classical sources, often setting the figures in modern-dress, or a contemporary domestic setting. In his lifetime he was successful; he had a large workshop, his work was sold internationally and he was especially popular in Spain. Benson became popular as a source for pastiche with 19th century painters, who are sometimes known as the "followers of Benson". In particular his many variations of the Magdalen and Sibilla Persica, were further copied and became popular with contemporary buyers. Many have retained their relative value and held in the National Gallery, London and command high prices at Sotheby's
UGO DA CARPI
Italian painter/woodcutter (c. 1480-c. 1523).






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